• This ongoing project delves into the synthesis of manual labor and contemplation.

    It started unexpectedly: I found myself making granules from wood branches, fascinated by the beautiful result. This activity quickly became a meditative ritual, allowing me to focus my thoughts. Over time, this process evolved into a powerful way of thinking, merging physical craftsmanship with creativity. It has become a birthplace for ideas and new art projects.

  • This project began with a spontaneous idea: to grind the meadow in front of my studio into flour. Quickly, my studio was filled with fresh grass, soon followed by the first handful of hay-scented flour.

    Years later, I realized that in grinding the meadow, I was also breaking down daily monotony, my ongoing doubts, and the constant landscape before me.

  • This photo series captures the height of the pandemic.

    The pandemic made me stop and think, revealing doubts about the idea of a global world and changing how we see everyday life. It turned our environment into a place full of safety guidelines and fear of touching each other.

    I created this series about isolation using what I had during lockdown: daylight, glass, and my hands.

  • This installation delves into how we erase painful memories.

    Byway sand, sifted and scattered over a long bench, confronts the silent, ignored war crimes committed against a small village's people. These nearly hundred-year-old events echo in today's repeating history, stirring confusion.

    Our memory can hold on and let go. But the people of this small village still need to tell their whole story.